Selected works

Credit: Anne Tetzlaff from “This is not for Clients” at the ICA’s collective exhibition “Decriminalised Futures”

Landscapes (2024)
Poetry and Installation. V&A Museum (London) “Friday Lates”, part of the exhibition “Fragile Beauty”.
Popup show with Yarli Allison & Letizia Miro, featuring poetry on dreams, labour, and utopian futures.

Peripheral Corporalities (2024)
Exhibit. Gallery 35M2 (Prague)
Joint exhibition and talk with Yarli Allison exploring sex work, identity, trauma, and collective hope.

Terrarium (2024)
Writing for Salvia’s installation. Gallery 46 (London) part of the collective exhibition Working Girls.

This is not for clients (2022)
Collective Exhibit, scriptwriter in collaboration with Yarli Allison. Institute of Contemporary Arts (London)

Victorian Houseshare (2022)
Publication. Propel Magazine

The Perfect Circle (2022) Publication at Glanta (2022) "The Gossip Issue". [In Swedish]

Hotel with a view (2022) Publication at "The reality number" [In Swedish and Norweigan].

Working from home (2022) Publication at Hoax Magazine. https://hoaxpublication.org/works/letizia-miro-yarli-allison-work-from-home

Migrant’s monologues (2022) Publication at “Espacios transfronterizos” with Karessa Malaya [in Spanish].

The Perfect Circle (2022)
Poetry Reading. Zara Toppins (London)
Performed at the opening of The Stacks by Lydia Garnett.

The Class Epicentre (2022)
Poetry Performance. European Poetry Festival
Performed in March 2022.

My Giant Collection of Lovers (2020)
Poetry Performance. Queer Festival of Poetry (London)
Hosted by The Poetry Society.

Victorian Houseshare (2023)
Publication. Propel Magazine

My Husband’s in Heels (2018)
Poetry Performance. Café Quijano (Madrid)

Ways of seeing porn (2018) at MAI magazine.

Credit: Salvia.SO for the installation “Landscapes” at the V&A London.

Credit: Peter Kolárčik for the “Peripheral Corporalities” exhibition at Gallerie 35m2.